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Reading: Post-Partum Document and Affect

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Post-Partum Document and Affect

Author:

Paula McCloskey

About Paula
Paula McCloskey is a doctoral student at the University of Sheffield engaged in trans-disciplinary research. She is interested in thinking and practice that explores subjectivity as an encounter, maternity, art-encounters, maternity and art, and autobiography. She has published papers in Studies in the Maternal, Studies in Gender and Sexuality and Midwifery Matters, among others. She is also a founder member of A Place of Their Own, a practice that explores social inequalities and injustices through critical thinking and creative activities.
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Abstract

This paper aims to add a different inflection to the already expansive range of commentary and writing on one of the most well known artworks of the last forty years created by a female artist exploring the mother-child relation: Mary Kelly's Post-Partum Document (1973-1979 hereafter PPD). It does this by exploring the place of affect in PPD and in so doing reflects on it as a complex assemblage, a monument and potentially a place where things happen. In order to analyse PPD's asignifying aspects the paper invokes the thinking of Lisa Baraitser in her book Maternal Encounters: The Ethics of Interruption, as well as aspects of Bracha Ettinger's theory of the matrixial.
DOI: http://doi.org/10.16995/sim.121
How to Cite: McCloskey, P., (2013). Post-Partum Document and Affect. Studies in the Maternal. 5(1), pp.1–22. DOI: http://doi.org/10.16995/sim.121
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Published on 01 Jan 2013.
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